You are cordially invited to attend a Private Viewing event for the art show: ‘Fracturing Reality’ featuring a selection of works by artist Mark Edmonds. The event will take place on the 9th of December from 7pm o
The show will feature a range of artworks designed to challenge the nature of the viewer’s awareness and personal relationship with their reality. There will be a mixture of styles but with this common theme tying each work together.
The Dress code is Smart Casual and there will be refreshments provided including wine and canopies.
Please feel free to bring guests along with you if you wish to do so. (could you please notify us in advance if you wish to bring more than 2 guests with you as there are a limited number of places).
Mark Edmonds is an established artist who channels his life’s experience and knowledge into creating work that highlights the issues he is passionate about. So far he has participated in numerous shows all over the UK and abroad.
The themes of Mark’s paintings are often premeditated and decided prior to the application of paint. Imagery will be conjured at the base layer in the form of various shapes and textures. Paint is subsequently applied in an expressive manner, using meditative techniques, some documented by those who practice ‘automatic drawing’. A combination of paint and varnish is then used to reveal the hidden esoteric patterns within.
“My portfolio tends to consist of mixed media paintings incorporating a heavy material element; by this, I mean textual elements, found objects and sometimes photography embedded into the surface. I use a variety of painting techniques depending on the context and theme of the painting. I incorporate elements from differing historical art movements, the idea behind this is to embrace absolute freedom in painting and not limiting oneself to a particular genre or medium.”
“The themes in my work relate to mass production, in that, I often use manufactured canvases and industrial paints. I am currently working on a project where I ‘reclaim’ mass produced commercial prints’ turning them into individual works of art by painting over them but keeping the ‘original’ design. To me this is a reply to the ‘throw-away’ nature of modern western society, by ‘reclaiming’ a mass produced article and presenting it as an object of value. I’m trying to question the acceptance of artworks within differing strata’s of society. Who values what and why?”