M.E.S.S. – Mark Edmonds Studio Sale – Socially Distanced Event
‘I work in contemporary mediums. My studio is a mess of circuit boards, plastic resins and paint. I spend my time meditating and splicing one material with another. I love the contrast I create between colours and textures, everything is in a constant juxtaposition. I am probably considered a painter by many, but I feel more like a sculptor who works on canvas. To me the challenge is to create something with ‘feeling’ that evokes strong feelings in others. I am not always successful and at times this journey is painful, especially when you make that connection. Often, I feel naked when this happens, because someone is looking at me without my armour of bullshit. After the initial shock dies down and I no longer feel as vulnerable, I realise I have achieved something, that I am not pretending, there is a genuine connection.
Meditation and being a flawed human being is the key to my creative ‘process’. I tend to start with the structure of the painting or the concept. This is very much a conscious act, a little bit like visualising a sandcastle. As I work further into the piece, the original idea is ‘washed away’ each time, the mental image compromised. Each subsequent layer of paint, plastic or texture becomes a response to the modified vision. This is where the structure gives way to the feeling and the conscious begins to merge with the unconscious. This can become difficult to reconcile at times, there is risk involved. Sometimes paintings become over-worked when they should be abandoned. Sometimes detail is lost, sometimes I get lost.
I think contextually my work exists somewhere between abstract expressionism and the conceptual art foragers, for whom, Marcel Duchamp’s ‘Readymade’ is the life blood. The reoccurring theme would be creation born of frustration, be it with others or with oneself. I long for a certain amount of creative freedom. I am attempting to avoid the potholes of over thinking. Concentrate on breathing, clear the mind, and follow intuition, well for as long as possible in a heavy duty filter mask.
I take my tools of expression, and all the techniques I have developed and in rare cases mastered, then I leave the safety of roads firmly travelled. My journey will take me into the unknown, the black void of nothingness. When I return I have unlocked a piece of the puzzle but paid for it with a piece of myself. This is the price all creative minds pay until ultimately there is no exchange left’.
M.E.S.S. – Mark Edmonds Studio Sale
‘I work in contemporary mediums. My studio is a mess of circuit boards, plastic resins and paint. I spend my time meditating and splicing one material with another. I love the contrast I create between colours and textures, everything is in a constant juxtaposition. I am probably considered a painter by many, but I feel more like a sculptor who works on canvas. To me the challenge is to create something with ‘feeling’ that evokes strong feelings in others. I am not always successful and at times this journey is painful, especially when you make that connection. Often, I feel naked when this happens, because someone is looking at me without my armour of bullshit. After the initial shock dies down and I no longer feel as vulnerable, I realise I have achieved something, that I am not pretending, there is a genuine connection.
Meditation and being a flawed human being is the key to my creative ‘process’. I tend to start with the structure of the painting or the concept. This is very much a conscious act, a little bit like visualising a sandcastle. As I work further into the piece, the original idea is ‘washed away’ each time, the mental image compromised. Each subsequent layer of paint, plastic or texture becomes a response to the modified vision. This is where the structure gives way to the feeling and the conscious begins to merge with the unconscious. This can become difficult to reconcile at times, there is risk involved. Sometimes paintings become over-worked when they should be abandoned. Sometimes detail is lost, sometimes I get lost.
I think contextually my work exists somewhere between abstract expressionism and the conceptual art foragers, for whom, Marcel Duchamp’s ‘Readymade’ is the life blood. The reoccurring theme would be creation born of frustration, be it with others or with oneself. I long for a certain amount of creative freedom. I am attempting to avoid the potholes of over thinking. Concentrate on breathing, clear the mind, and follow intuition, well for as long as possible in a heavy duty filter mask.
I take my tools of expression, and all the techniques I have developed and in rare cases mastered, then I leave the safety of roads firmly travelled. My journey will take me into the unknown, the black void of nothingness. When I return I have unlocked a piece of the puzzle but paid for it with a piece of myself. This is the price all creative minds pay until ultimately there is no exchange left’.
You can view some of Mark’s work on our website: https://www.artexclusive.co.uk/collections/mark-edmonds
Impossible
Mark Edmonds is an artist based in Stoke on Trent working exclusively in mixed media, which is a conscious choice by him.
‘I work in contemporary mediums. My studio is a mess of circuit boards, plastic resins and paint. I spend my time meditating and splicing one material with another. I love the contrast I create between colours and textures, everything is in a constant juxtaposition. I am probably considered a painter by many, but I feel more like a sculptor who works on canvas. To me the challenge is to create something with ‘feeling’ that evokes strong feelings in others. I am not always successful and at times this journey is painful, especially when you make that connection. Often, I feel naked when this happens, because someone is looking at me without my armour of bullshit. After the initial shock dies down and I no longer feel as vulnerable, I realise I have achieved something, that I am not pretending, there is a genuine connection.
The exhibition will run until 23 July.
Join us for a glass of bubbly and some breath-taking contemporary art on 11 July at 7 PM.
Fracturing Reality – abstract resin art exhibition by Mark Edmonds
You are cordially invited to attend a Private Viewing event for the art show: ‘Fracturing Reality’ featuring a selection of works by artist Mark Edmonds. The event will take place on the 9th of December from 7pm o
The show will feature a range of artworks designed to challenge the nature of the viewer’s awareness and personal relationship with their reality. There will be a mixture of styles but with this common theme tying each work together.
The Dress code is Smart Casual and there will be refreshments provided including wine and canopies.
Please feel free to bring guests along with you if you wish to do so. (could you please notify us in advance if you wish to bring more than 2 guests with you as there are a limited number of places).
Mark Edmonds is an established artist who channels his life’s experience and knowledge into creating work that highlights the issues he is passionate about. So far he has participated in numerous shows all over the UK and abroad.
The themes of Mark’s paintings are often premeditated and decided prior to the application of paint. Imagery will be conjured at the base layer in the form of various shapes and textures. Paint is subsequently applied in an expressive manner, using meditative techniques, some documented by those who practice ‘automatic drawing’. A combination of paint and varnish is then used to reveal the hidden esoteric patterns within.
“My portfolio tends to consist of mixed media paintings incorporating a heavy material element; by this, I mean textual elements, found objects and sometimes photography embedded into the surface. I use a variety of painting techniques depending on the context and theme of the painting. I incorporate elements from differing historical art movements, the idea behind this is to embrace absolute freedom in painting and not limiting oneself to a particular genre or medium.”
“The themes in my work relate to mass production, in that, I often use manufactured canvases and industrial paints. I am currently working on a project where I ‘reclaim’ mass produced commercial prints’ turning them into individual works of art by painting over them but keeping the ‘original’ design. To me this is a reply to the ‘throw-away’ nature of modern western society, by ‘reclaiming’ a mass produced article and presenting it as an object of value. I’m trying to question the acceptance of artworks within differing strata’s of society. Who values what and why?”